Nef'i, sanatı ve Türkçe Divanı
Başlık çevirisi mevcut değil.
- Tez No: 14485
- Danışmanlar: PROF. DR. HALUK İPEKTEN
- Tez Türü: Doktora
- Konular: Türk Dili ve Edebiyatı, Turkish Language and Literature
- Anahtar Kelimeler: Divan edebiyatı, Divanlar, Divan literature, Divans
- Yıl: 1991
- Dil: Türkçe
- Üniversite: Atatürk Üniversitesi
- Enstitü: Sosyal Bilimler Enstitüsü
- Ana Bilim Dalı: Türk Dili ve Edebiyatı Ana Bilim Dalı
- Bilim Dalı: Belirtilmemiş.
- Sayfa Sayısı: Belirtilmemiş.
Özet
Özet yok.
Özet (Çeviri)
Omar Nafcî, one of the leading poets of the seventeenth Century, was born in Pasinler, a small town near Erzurum. He became known as a poet in Istanbul. He is well-known by his eulogies and satire verses. The Sultan of the time prevented him composing any more satires. Many people hated him because of his sarcastic verses, criticizing almost everyone. But he kept saying satirical verses and did not obey the Sultan' s 'ordes, and so he was executed in 1635/1044. Several studies have been done so far on Naf cî ' s works. Some of these studies contain some pieces of poetry chosen from his printed Diwan. But there has been no comparative study on different taxts of the manuscripts of his Diwan. This dissertation, which is composed of two chapters, attempts to study his art of poetry and his Diwan from the point of view of form and content. A bibliograpy of the several studies on his works is added to this chapter. In the second chapter, eight individual copies of the Diwan are studies with annotations and descriptions, and a classification of all other copies was made. Nafcx lived in a time when the Sebk-i Hindi scholl prevailed. His verse bears some characteristics of this school but he is not considered to belong to this school. He keeps competing with the Persian poets of all times and claims that he was superior to them. He was influenced by some Persian poets such as Enverî and Örfî and the Arabic poet, Mütenebbî and the famous Turkish poet Bakî. The exaggerated and boastful tone in his poetry is attributed to this influence. His voice always remains aloud. This manly voice can be heard associated with a nice harmony. The imagery and fantasy intro duced by him were not employed by any other poet of his time. The readers were surprised by the images and thoughts found in his verse. Among the other characteristics of Nafcî's poetry are praising, boast ing and satire. While he praising others, he implicitly praises himself too. His satires in his Diwan is not so severe and aggressive as compared to those in his other works. His Diwan contains 62 eulogies, 134 lyric poems and the other forms of verse (Terkib-i bend, Mesnevi, Kıtca, Nazm, Rübâcî and Mlifred). The Methiye and Fahriye were the most successful ones among the eulogies in his Diwan. There are beautiful descriptions of spring, religious festivals, horses and pavillions in some of his eulogies. Naf^î's Diwan was printed twice (Bulak 1252 ; Istanbul 1269). There are more than one hundred manuscripts of it in Turkey and abroad. Some of them were copied before Nafcî died. There are excellent copies of Diwan in Sultan's and in some private libraries of the statemen. One can find a great deal of his verses in most of the manuscripts of anthologies or magazines of his time.
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